These are good practice grades, and by just learning these techniques can give you a great jumping-off point for your own projects.
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Finally, bring the color boost down, but enough that the color still just remains. Following that you’ll use the gamma controls to add a bit of red and then you can adjust the game down to tons of contrast. Using the Color Boost in the secondary controls you want to bring the saturation down a lot. Jordan’s method starts with increased contrast and then changing the temperature and tint in the secondary controls until you get a yellow look that “resembles a very hot day.” Next up is a reduction of the saturation and then adjusting the pivot to get it looking good based on personal preference.Ī reminder of coffee, the brown look is a more unique option. Then you take the blue curve and do the exact opposite, bringing the highlights down and shadows up. In this example, Jordan takes the red curve and brings the highlights up while dragging the shadows down. Unlink the colors so you can control the color channels separately.
Cinema grade color grading center how to#
It’s more of a general idea of how to make images look since there are a ton of options here but it is easy. This look isn’t one specific thing since original cross processing was caused by processing film in a different type of chemistry. You can even go back into your first node and apply standard color grading techniques, adding a color, bringing back highlights, etc. Then you just head over to the merge node at the end and change the composite mode to overlay. In this layer, Jordan brings the saturation all the way down.
Cinema grade color grading center serial#
Starting off with a new serial node and then a layer node. You can even finish it off by reducing the contrast slightly.īased off a traditional film processing technique that would result in an image with more visible grain and increased contrast. Using the Primaries Bars you reduce the saturation and then bring down the blue channel in gain, gamma, and lift.īlue and yellow are opposites in the color grading world, so by reducing blue you bring out the yellow without over saturating your colors. This will help make sure you don’t get one color dominating all others.Īnother popular look is muted yellow. Next, using the Hue Vs Saturation curve you can control the saturation of each colors. He brings up the curve in the middle and then moves it to the left or right until the image is properly saturation. To do this Jordan uses the Luma Vs Saturation curve. You’ll want a little more control over how the image becomes saturated. Unfortunately, it doesn’t mean just increasing saturation and gamma with a little extra contrast.
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Almost looks a little like doing day-for-night.įor a bright, colorful image you will want to go for the high-key look. Reduce the saturation a little, bring the game down to darken the image, and then adjust the color to blue using offset. Number one is the quite easy low key blue. Considering the extreme wealth of knowledge Jordan shares on his channel, this is well worth a watch. By understanding different aspects of production filmmakers can more easily direct other processes to streamline the entire project.Īlex Jordan, the founder of Learn Color Grading, is here to show everyone seven essential styles he thinks all filmmakers should learn. Many filmmakers are getting into the editing game and, in my opinion, it helps so much as a filmmaker to be knowledgeable about every step in the process. Color grading is no longer just for editors and colorists.